I completely forgot to link to this from September. Andy Tisdel, an Edmund Finney reader, blogged philosophic about Edmund Finney: Is he sane or insane? Click to read!
I completely forgot to link to this from September. Andy Tisdel, an Edmund Finney reader, blogged philosophic about Edmund Finney: Is he sane or insane? Click to read!
A reader of Edmund Finney’s Quest, Hermes, made a clay plaque in his art class, and decided to make one of Mr. Cottonface from this comic. He took the artistic liberty to give Mr. Cottonface his owner’s hat. Nice work indeed!
“Death Brag”‘ is a movie starring Charles Bronson, Steven Seagal, Dolph Lundgren, Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis. The entire movie is just those guys sitting around a table, talking about the awesome ways they’ve killed people.
Awwww, isn't it nice when everyone can just get along?
With the dissolving of the Kirkman/Liefeld partnership on The Infinite, it's nice to see two other comic book heavyweights settling their differences. Ten years and a court of law later of course, but settling them none the less.
As someone who hasn't really ready Spawn, or most of the spin-offs in the decade since McFarlane and Gaiman's argument over ownership started, I can't say that I knew exactly what all the hubbub was about. So, I went to the most trustworthy source of information on such things, Wikipedia:
"... a 2002 suit in which McFarlane contested with writer Neil Gaiman over the rights to some supporting Spawn characters created by Gaiman in issue #9 of the Spawn series and over payment for later works featuring those characters. In 1997 the two signed a deal in which Gaiman would give his share of characters Angela, Medieval Spawn and Cogliostro to McFarlane in exchange of McFarlane's share of British superhero Marvelman (in reality, what McFarlane actually owned were two trademarks for Miracleman logos, not the character, which would become clear only after the lawsuit concluded). However, this deal was broken by McFarlane, which motivated Neil Gaiman to start the lawsuit. The jury was unanimous in favor of Gaiman. The two were involved in a lengthy dispute over ownership of Miracleman, but no lawsuit has been filed in that dispute. In 2009, Marvel Comics brought resolution to the matter by purchasing the property."
Huh. This reminds me of the Wrestlemania 9 Main Event in which Bret Hart and Yokozuna fought for the Championship, but somehow Hulk Hogan ended up winning the title. Ah well, don't say we didn't learn ya nothin' today!
Today's page was done by Anna-Maria Jung:
Since Anna-Maria Jung was born in 1984, fantastic stories have been a significant part of her life. Since 2002, she has produced various comics and illustrations for comic anthologies in Germany and Austria, published two of her own comics and worked on four animated shorts, one of them in Scotland and one in New York City in cooperation with independent animator Bill Plympton. In 2009 she received the Fulbright scholarship and started studying a Master program in Illustration at FIT (Fashion Institute of Technology) in New York and graduated in 2011. Anna is currently living and working in New York City, producing illustrations for the editorial market, children’s books, graphic novels and apparel.
Have a great weekend friends, and we'll see you back here Monday!
-Moss

Oh hey it’s another comic that has a pun in it. I’m sure you’re shocked at this. I declare today “Inside-Out Sandwich Day.” Do your part!
In Wanda's suite, a silver chocolate service sat upon a side table. When she'd boosted the tower, a few such nice little changes in design, decor, and accouterments had crept in from her mind's eye.
She left it there untouched. Talking to the Lady Temple this morning was not meant to be social, or even comfortable. She didn't so much as offer Delphie a chair. The Predictamancer stood, her hands folded in front of her and her lip buttoned tightly.
"We have Duties to perform this turn," said Wanda, "so I'll make this brief. I just spoke to Clay. I...had a question, and didn't much like his answer."
Delphie watched her face and remained silent, betraying nothing.
"It's a question that's been keeping me awake for several nights. What I don't understand," said Wanda, "is how Luck and Fate can coexist. If I am Fated to live, then I must be immune to Luckamancy. Cast any misfortune upon me, put me in any battle against any foe, and I will live until my Fate is fulfilled. Is that correct?"
Delphie cleared her throat and spoke in a low, careful tone. "Essentially, Lady."
"Then where is the Luck? Where is choice? And...what you would call my will?"
Delphie shrugged. "Choice is the path you pick to your Fate. Luck is mainly about how hard or easy you have it along the way."
Which is just what Clay had said, and Wanda didn't like it any better coming from Delphie's mouth. She knew that if she asked Delphie what would happen if she jumped from the tower, Delphie would only say, "You won't."
Wanda absently felt the lace trim of her boots with a gloved hand, trying to put her thoughts into words. She glanced at mirror-Wanda for strength. Oh, she did like this outfit, yes. It made Delphie nervous. It gave her new power.
...But no new clarity. Like Tommy and Father, Wanda refused to believe Delphie's philosophy that there was an inescapable destination simply waiting for her to get there. Each of the last few nights she had lain in bed, trying to frame her objections to it and failing.
She sighed. "Tell me about Olive," she said, taking a different tack. "What did you hope to accomplish? Why not just leave it to Fate to bring me to her?"
Delphie put her hand to her forehead, and smiled wistfully at the floor. "Oh, dear. I was making a choice of my own, I suppose. To ease your way into Olive's service." She looked up at Wanda with eyes resigned and sad, yet still accusing. "But your choices undid the effects of mine. You should have trusted me."
"Why," challenged Wanda. "What difference would it have made?"
Delphie looked beaten. She shook her head just slightly. "All the difference, Lady."
Wanda stepped toward Delphie, talking closely to her face. "My brother is gone, Predictamancer. His Fate has run its course. Everything that was to become of him is known to us." Delphie looked as if she wanted to speak, but Wanda kept her momentum. "So we know that all along, Tommy's Fate was to be croaked by Olive. And if we had taken the peace offer, then we would have been making the path to his Fate longer and more difficult, while making mine easier. Now where is the sense in that?"
Delphie glared at her. "No. You don't understand. Chief Tommy carried no such Fate."
"How can you say that? It was his Fate! We've seen it."
"It was his end, Lady," said Delphie. She looked pained. "Clay would say, his 'final outcome.' It was never his Fate. It could have been avoided. If we'd only signed the treaty and sent you to Haffaton, Tommy would probably be alive now."
Wanda clamped down on a sudden, deep need to slap the woman. For a moment, not striking Delphie's round face was all she could manage to do.
The Predictamancer, looking distressed, took it as a chance to continue. "I told you once. Not everyone walking these halls has a purpose. I cannot make Predictions about every unit, or commander, or even every ruler. Don't you see?" She looked at Wanda with tears starting to well on her lower lids. "You were to pop. And you were to be passed on. And once I saw Olive in the Magic Kingdom, I Predicted where you were to go. So, I told her. She understood. That's why they were so generous with their offer."
Wanda's clamp slipped. She hit Delphie in the cheek with an open, gloved hand. The caster cried out, and stumbled backward, landing on her rump upon the foot of Wanda's bed.
"She knew?!"
Delphie sat on the bed, stunned for a moment, then began to bawl. Wanda stood over her and yelled. "You approached the enemy, you let them know we had popped a caster, and you gave them more information about my Fate than you would share with your own side? Are you that disloyal?"
"I'm Loyal!" sobbed Delphie into her hands. "I'm ever so Loyal!"
"You lying ditch witch!" Wanda turned and stomped across the room, yelling to the air. "Loyal to what? To Fate? Not to Goodminton!"
"Yes! To Goodminton! It was the only way Goodminton could survive you," said Delphie, tears flowing freely down her face.
"You don't know that," Wanda said, pointing at her. "You never Predicted that."
Delphie kept sobbing into her lap. Her words were muffled by her hands. "No. I can't. Fate doesn't care about us. That's the terror of it; we have no Fate. The world doesn't care if we live or not. Only about you."
Wanda paced around. "It doesn't work that way, it doesn't work that way, it can't work that way, Delphie!" Tommy should be alive? She was trapped, while they were lost? Father was lost? No. "I could...buy some poison and drink it! What would Fate do, then? Huh? I could jump off this tower right now!"
Delphie looked at Wanda and shook her head. "Yes, you could. But you won't."
Just what Wanda had Predicted she would say.
She stopped in front of the mirror again. Mirror-Wanda and she both knew Delphie was right. Wanda was defiant. She would break her Fate somehow. But, she supposed, not today. Not that way. She took in a deep breath to calm herself.
"No," she said, with deep resignation, "not in this outfit."
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Rob's Other Comic Project: Duel In The Somme--Read it from the beginning!
If you are at all like me, I know that you will always remember the first time you saw the preview of Saga #1, and the controversy it spawned. Controversy so layered and deep that it makes you stop, look deep inside youself and ask the key question that is at the core of all of us:
Who the hell is Dave Dorman?
But all kidding aside, I am positively drooling for Saga. I was at SDCC when they made the announcement that Brian K. Vaughan was coming back to comics, and I've been chomping at the bit ever since. Y: The Last Man was one of my favourite books during it's run and based on the number of copies that still sell as paperbacks, still resonates with readers, new and old.
As far as Saga goes, Fiona Staples is a hell of an artist, so I can't wait to see what kind of world these two build.
Today's page was done by Antonio Bifulco:
Antonio Bifulco lives and works in Marigliano, Italy (near Naples). Antonio received his art degree at the Art Academy of Naples. He started his professional work in the comic industry in 2007 as inker and colorist. Shortly after, he moved onto pencils and painting. His credits are spread across several international comic, card game and video companies.
Happy New Comics Day, folks! See you back here Friday!
-Moss

Out in the field, monotony was ice and rocks and endless road. At home, it was stairs.
Wanda and Clay trudged up them in silence. All Wanda could think to say about Clay's confession-under-duress was, "That is likely something you should keep to yourself, Luckamancer." It wasn't what he had wanted to hear.
Un-Tommy was waiting for Wanda at the base of the tower, having been recalled from the outer walls by her silent order. Her former brother stood motionless on the cobblestones beside her equally motionless former snow golem. Together, staring dumbly at nothing, the two made quite a pair.
Or was it three of them? Slouching there, indifferent to the cold wind, Clay looked almost as lifeless.
Was this what she did to people? Perhaps she should order un-Larry to report here, to complete this set of empty shells she was creating.
"Continue on up to your quarters," she ordered Clay. "Order the Lady Temple to meet me at my suite in one hour."
"Yes, Chief," said Clay. As shame-faced and longingly as he looked at her, he seemed relieved to be leaving her side.
She had animated him well, but un-Tommy was beginning to show small signs of decay. They'd seen no action here, and sought none afield since the air battle that ended their alliance. She knew that unlike Tommy, un-Tommy would be perfectly willing to stand there for all his remaining turns, then blow away to dust.
She put the uncroaked unit through some paces, to see what his capabilities were, and to give Clay time to get a few floors ahead of her. Then she ordered un-Tommy back to his post, and climbed up the stairs, stairs, stairs. Each dull step was a small moment lived, unremarkable and meaningless, but necessary to the progression of the climb.
Up in her small suite near the top of Minnow Tower, Wanda unpacked her new raiment and laid it out upon the bed. Teddy Clothespin, the Dollamancer who had sold it to her, had helped her create something out of the depths of her own desires and imagination. She looked at it, wondering if she even dared to put it on.
"Olay," she said, casting the minor Dollamancy spell that Teddy had taught her. The wrinkles in each piece went smooth, as the garment was restored to its new-turn condition.
Double-checking that her door was locked, Wanda stripped out of the suit she had worn since Goodfinger. She still loved the outfit for its elegance, and for its utter lack of resemblance to Goodminton's sombre raiment style. But it had been Olive's. And once she had it off, Wanda was sure she would never again put it next to her skin. Perhaps Teddy would buy it from her.
She pulled the white tights on first. Then she slipped the light, airy chemise over her head. The Dollamancer had modified her old riding gloves into long, chamois evening gloves with stealthy riding grips sewn into the palms. Her clunky boots he'd turned into shiny black thigh-highs topped with lace, but still reinforced in the feet and ankles for combat riding.
The entire outfit followed this philosophy of applying maximum possible style before function started to suffer. The slate blue jacket was cropped in length, with sleeves short enough to let her swing a staff in a fight. The bodice (which she now laced and pulled into a tight cinch around her waist) would keep her straight in the saddle. Even the decorative chain around her waist could be used as a bolo weapon if needed.
She stepped to the mirror to have a look.
The Wanda in the mirror needed a comb. Her hair seemed to have fallen limp after the warmth and humidity of the Magic Kingdom. No, better than a comb: a hat. Teddy had urgently wanted to add some headgear to the ensemble, but she had already spent more than was justifiable. Father had granted her a favor after they'd won the battle, and she'd asked for new raiment. But the treasury was dwindling. Shmuckers were tight.
She felt through her satchel, looking for a clip or tie-back. Her hand fell on the message hat, shrunken down as small as it would go. Hm. She took it out and resized it to fit her head, and it looked much worse than nothing. A top hat with this dress took all the femininity out of it, and made the whole outfit absurd. The obnoxious Foolamancer she'd met in the Magic Kingdom couldn't have picked a worse match to wear. She threw the hat on the bed, and looked at mirror-Wanda ruefully.
But a weird thought emerged out of her frustration. She picked the hat back up, resized it to the dimensions of a teacup and saucer, and stuck it to her head at a jaunty angle.
It worked. Mirror-Wanda knew it worked. The hat even knew it worked. It stayed right in place via the natural Dollamancy (or was it natural Hat Magic?) of just belonging there.
Mirror-Wanda turned her head with a sly, approving smile, and Wanda felt she had taken one further step toward becoming that woman. Yes, her brother was lost, and her side was still friendless and desperate. The fact that she had acquired new clothing was unremarkable and meaningless. But it was another small, necessary moment lived in the progression of the climb.
There was a knock upon her door.
NOTE! My friend since college Barb Fischer is the writer for the roller-derby webcomic Sledgebunny. She's also done costuming. I had to bring her in to help with this update because I am clueless about women's clothing.
Xin came up with a Gothic Loli outfit for Wanda, but neither of us knew how to describe it. Xin drew the exploded diagram above for Barb, who wrote me a paragraph describing this outfit. I almost completely rewrote the paragraph, but I couldn't have done this update without her help. Xin will probably kill me for posting the sketch here, because it definitely wasn't drawn for the public. But I had to split this update and I didn't want to tease the outfit too much. The next update will be the conversation with Delphie that this one was supposed to be, with the illustration that was supposed to go with it.
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Rob's Other Comic Project: Duel In The Somme--Read it from the beginning!
It seems that Moss is covering my ass with posts of late more often than not, but as it leaves me the time to actually write them, I’m okay with it.
Still. Today’s page? The post is all mine.
Certainly you all remember a fellow named Rob Granito? He’s the dude who had a habit of stealing other people’s work and passing it off as his own. Not to mention his embellishments of his resume (he claimed to have worked on Calvin & Hobbes for one).
Oh yes. That Rob Granito.
Well, fortunately for me (ye olde industry comedy writer), he’s back. This time he’s asking for your forgiveness through a petition, though not actually admitting to any wrong doing.
Me thinks it’s past time for Granito to tap out of the comics industry he was never in and seek employment elsewhere.
Today’s page was done by Douglas Sirois:
Born and raised in Massachusetts, Douglas A. Sirois graduated from the Art Institute of Boston in 2001 earning himself a BFA in illustration. He has a Master of Fine Arts degree in illustration from CalState, Fullerton. He has been an adjunct professor at California State University, Fullerton and at the Art Institute of Boston. He also serves as Art Director for Edge of LA Productions. Doug specializes in Fantasy illustration and concept design.
Get a good start to the week, folks, and we’ll see you on Wednesday.
And remember: Granito Loves You.
-sohmer


Sometimes there is just so much going on in comics, it's hard to keep up. We can only parody so much, and it's so hard when there is so much to make fun of. So, what we end up with is a trifecta of funny book headlines. Comicon, slanderous court battles, the desert... it's all there. So with regards to the three stories mentioned here:
1.) Comicon costing more due to a large expansion of the San Diego Convention center. Frankly, I've been to SDCC and more room can only be a benefit to everyone involved. Plus, ComiCon Hotels cost so much at this point, it almost doesn't make a difference if it costs more.
2.) As someone pointed out, when you are so much of a jerk that a court orders you NOT to go to work for the sake of your co-workers, that says something. When said job is as CEO of Archie Comics, that says even more.
3.) Aquaman in the desert. Such a brilliantly simple plan, and upon reading, turns out to be a really fun story. Geoff Johns and Ivan Reis have actually made Aquaman cool and turned him into a (pardon the pun) deep character. From the "Words I Never Thought I'd Say" file: Aquaman is totally my favourite book right now.
Amirite?
Today's newsreel has been brought to us by Bob Petrecca:
Bob Petrecca started his professional comic book career in 1990 in-house at Marvel Comics as one of John Romita's Raiders, after which moving onto full-time freelance inking and finishing work for Marvel, DC and Continuity Comics. Some of the titles include: Captain America, Thor, Doctor Strange, What If..., Hyperkind and Wraitheart (with Clive Barker), Ms. Mystic, Justice League of America, Action Comics, Birds of Prey, Justice League Unlimited, Green Lantern and Batman to name a few. As well as an accomplished inker, he has also a versatile penciler.
An accomplished screenwriter, Bob has developed a working relationship with producer/director Patrick Durham and his artwork is featured in the movie "Cross" starring Brian Austin Green. He is currently preparing to begin work on another of Durham's films, "Lurking Fear" slated for a spring 2012 shoot to be directed by C. Thomas Howell.
Be good, my friends! See you back here Monday!
-Moss

I know I will always remember where I was when I heard The Infinite was over.
Like the Kennedy Assassination and '72 Summit Series, I know it is an event that will live on in infamy for our generation and the generations to come.
But seriously, I was actually kind of sad to see this title go under the way it did. Not because it was a particularly great book, but because it was one that came from two friends who love comics, wanting to do something together. From what I hear of both Kirkman and Liefeld, they are great guys and hopefully these "creative differences" won't affect their friendship long-term.
...and that's about as touchy-feely as you can expect me to get about a book about a guy who goes back in time to recruit himself to fight a battle to save himself from his own arch enemy. Who is probably also himself. Or something.
Either way, both guys are on to bigger and better things and we wish them luck and success so that we may make fun of them again at a later date.
Today's page was brought to life by the wonderful Chris Eliopoulos:
Chris Eliopoulos is an Eisner and Harvey nominated wrier/artist/letterer, having written and drawn Franklin Richards: Son of a Genius and written Lockjaw and the Pet Avengers, both for Marvel Entertainment. He's the author of the webcomic Misery Loves Sherman and currently is the artist on Cow Boy coming from Archaia in March 2012.
Seriously, check out Cow Boy when it hits. It looks like such a fun book! Until then though, enjoy New Comics Day everyone! See you back here on Friday!
-Moss

Last updated:
06 February, 2012 01:50 AM
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